A traditional commercial shoot is a production day: crew, gear, locations, edit, color, sound. Done right it can run five figures, which is why most small businesses have never had a real commercial. AI video tools changed that math. The honest question is whether what you get is worth having, and the honest answer is: it depends entirely on who’s making it and how.
What AI ads do well
AI-made ads let a small budget swing above its weight. A big visual idea, the kind that used to need a set, a creature shop, or a location you couldn’t afford, can now be generated, and a local business can run creative that looks like a much bigger company paid for it. The first commercial AI work I shipped put a Bigfoot in a bank for a local restaurant’s campaign, mixed with real footage of real streets. That spot got press coverage precisely because nobody at that budget level had creative like it.
That’s the play: ideas that were priced out of reach are now in reach.
What AI ads do badly
Pure AI, no real footage, no craft, looks like pure AI. You’ve seen these: the melty hands, the uncanny faces, the stock-footage soul. An ad that reads as cheap AI does worse than no ad, because it tells your customers you cut corners. The tools don’t fix taste, and they don’t know your business. Someone still has to have the idea, direct the shots, grade the color, and cut it like a real commercial.
The mix is where the value lives
The work that performs is hybrid: real footage of your actual business, your building, your crew, your food, your street, with AI supplying the elements that would have blown the budget. The audience sees a commercial about a real local business with a big idea in it, not a tech demo. I shoot the real plates on cinema cameras, generate what should be generated, and cut it all as one piece. The craft carries over from the film side of the studio, the same eye that built a channel past a billion views.
What they cost
A fraction of a traditional production day, usually. The exact number depends on the idea, the length, and how much real footage we shoot, and I quote it per project after the free first call. Larger budgets buy more polish and more iterations, but the entry point is a number a Prescott Valley or Flagstaff small business can actually clear. The rest of my pricing works the same transparent way, laid out in what an AI consultant costs.
How to judge anyone selling you AI ads
Ask to see something they’ve shipped for a paying client, not a demo reel of generations. Ask what was AI and what was real footage, and why. Ask where it ran and what it did for the business. If the answers are fuzzy, you’re buying a science experiment. There’s a fuller checklist in how to tell AI hype from real help.
The short version
Worth it if the idea is good, the craft is real, and the AI is doing the expensive part instead of all the parts. Not worth it as a novelty. If you’ve got a business in Northern Arizona and an idea that’s always been too expensive to film, tell me about it. That’s exactly the kind of ad this was made for.
Author
Tex Kelly
- ai
- ai-ads
- advertising
- arizona
- small business