NFL Landscaping Commercial
Scripted spot for a landscape company.
Video Production · Prescott & Yavapai County
Commercials, brand films, branded series, and narrative shorts. Script, cast, shoot, cut, and deliver, all under one roof in Prescott Valley.
Full-service means you make one phone call. The script, the crew, the shoot, the edit, the color, the sound, and the versions for every screen all come back from the same place.
I ran marketing for companies for a decade before I bought a camera. So the production starts from the question a marketer asks, which is what this film has to make someone do, and works backward to the shot list. It is the reason the commercials on this page have run on television and the reason the brand films get watched past the first ten seconds.
The other half is craft. Work I have made has been watched over a billion times. That is a decade of finding out, in public, what holds attention and what loses it, and it is the instinct every cut on this page is built on.
Based in Prescott Valley, born and raised, and producing across Prescott, Sedona, Flagstaff, Phoenix, and all of Yavapai County.
The format follows the job. A spot that has to land in fifteen seconds and a series that has to hold people for a season are built differently, and both start with the same question about who is watching.
01
Thirty and fifteen second spots built to run on broadcast, streaming, and paid social. Written, cast, shot, and cut in-house, with the vertical versions delivered alongside the broadcast master.
02
The two to four minute film that explains who a company is and why anyone should care. Founder on camera, the work as it happens, the customers who stayed. The centerpiece of a website and the anchor for a year of shorter content.
03
Multi-episode content built around one company: a custom home build across six episodes, a season on a ranch, a product made start to finish. Episodic work compounds. Every episode sends people back to the last one.
04
Scripted shorts, genre pieces, and story-driven spots that borrow from film instead of advertising. A horror short, a vintage kung fu homage, a Wes Anderson-style commercial. When a brand wants to be remembered rather than tolerated.
05
For companies that cannot hire fast enough. A film that shows the actual crew, the actual shop, and the actual day, so the right people apply and the wrong ones self-select out.
Long-form?
Interview-led documentaries for companies, families, and nonprofits are a separate discipline with their own page.
Documentary films
Most video projects lose their quality in the gaps between vendors. The writer never met the editor, the editor never saw the location, and the client explains the idea four times. Here the person who wrote it is the person who shot it and the person who cut it.
Concept and script, the idea, the structure, the words, written for how people actually watch, not for how a committee reads.
Pre-production, casting, locations, permits, schedules, and shot lists, handled before anyone shows up on set.
Cinema production, cinema cameras, cinema lenses, wireless audio recorded separately, and lighting sized to the scene.
FAA Part 107 aerial, licensed and insured drone work on a DJI Mavic 3 Pro, so the aerial is part of the plan and not an add-on.
Post-production, editorial, color grading in DaVinci Resolve, sound design and mix, motion graphics, and licensed music.
Delivery in every format, broadcast master, web, and vertical social cuts, plus a paid-media plan if you want the film to actually be seen.
03 — Selected Productions
Scripted spots, a branded series teaser, and two narrative shorts. Click any thumbnail to play. The full wall of work lives on the videography page.
Scripted spot for a landscape company.
Narrative horror short.
Genre homage as a brand spot.
Series teaser for a branded documentary series.
Brand film for a landscape and lawn company.
Stylized short-form brand piece.
You see the plan on paper before anything is shot, and a first cut before anything is final. Two rounds of revisions are in every scope.
What the film is for, who watches it, and what has to be true for them at the end. Budget and scope get set here, in writing.
Concept, script, and a visual treatment you can react to. Nothing gets shot until you have seen the plan on paper.
Casting, locations, permits, schedule, shot list, crew. The boring part that decides whether shoot day is calm.
One to several shoot days depending on scope. Cinema cameras, dedicated audio, aerial where the story needs scale.
Assembly, first cut for your notes, fine cut, color, sound, graphics. Two rounds of revisions are built into every scope.
Every format you need, and, if you want it, the media plan that puts the film in front of the people it was made for.
Productions are scoped per project rather than sold as packages. Shoot days, cast, locations, and deliverables set the number, and you have it in writing before a date is held.
Video Production · FAQs
Production inquiries
Send the idea, the audience, and where it will run. The first call is free and every inquiry gets a personal reply within 24 hours.